Research & Critique, Drawing & Painting with Catherine Haggarty [APPLICATION-BASED]
CLOSED
Research & Critique, Drawing & Painting with Catherine Haggarty [APPLICATION-BASED]
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Applications are closed. Join the waitlist:

Mentor: | Catherine Haggarty |
Cohort Type: | 💻 Virtual |
Meeting Day: | 📅 Wednesday |
Meeting Time: | 🕛 6-9pm (EST) / 3-6pm (PST) |
7 Weeks: | February 19 - April 2 |
Course Dates: |
February 19, 26 March 5, 12, 19, 26 April 2 |
Cohort Size: | 10 Artists |
Cost per Credit Hour: | $60 per contact hour |
Total Cost: |
Free to apply Apply by February 11, 2025 Tuition, if accepted: $1,450 Tuition & Financial Aid |
About This Course
Drawing / Painting: Research & Critique is an 7-week online course that meets weekly. The focus of this course will be on how one researces within their work and studio life. It may touch on drawing or painting formally & conceptually with prompts to challenge systems, habits and materials to best access research inquiries and interests. Artists working in all mediums and practices are welcome to take this course. The 7 weeks will be divided between Guest Speakers, time for Q&A and presentations by artists in the class about their work as it relates to or is inspired by drawing and will culminate in final critiques with invited Visiting Critics. This course is open to all artists working in any medium. All class sessions will be recorded.
Championing research for the artist as a diverse methodology is important in this course, recognizing that drawing research may vary for all - we welcome experiences and examples by everyone in the course. In doing so, examples of how one ‘researches’ will expand naturally and grow after their course for artists in and out of their studios. In doing this work together - our understanding of drawing as a tool to invent, edit, culminate, honor and dictate in our work will help other facets of the studio world, be it painting, drawing, sculpture, and or textiles as the artist’s primary focus.
All drawings are seen as important to discuss, share and push further in this course. Mechanisms to build composition, idea generating, automatism and theoretical positions on drawing will be discussed. Each artist will receive two opportunities to present their work to the Faculty, Catherine Haggarty, and the group. In addition, the artist's final critique will feature a Visiting Critic who will offer additional feedback and conversation.
Films, videos and short readings will be present as weekly asynchronous context for the conversations held in class and beyond. Artists will be paired up with one peer in the class based on their work and connection for a virtual studio visit outside of class time to connect more deeply and share work, process and ideas. Break out rooms and small group work will be a part of weekly meetings to engage in fun and also challenging prompts to draw together in real time.
Each artist will receive a round of artist statement edits by Faculty Catherine Haggarty.
One should take this course if they want to push their work, try new techniques, and learn how to champion drawing in their art studio and life. Prompts will all be specific and tailored to each artist and supplemental videos, context and explanation will be offered if need be to clarify any obstructions and assignments.
Please Note: This is an application-based course. Applications will be juried after the application deadline of February 11th. Artists accepted to the course will receive a payment link for the course cost and a Financial Aid breakdown if needed.
Championing research for the artist as a diverse methodology is important in this course, recognizing that drawing research may vary for all - we welcome experiences and examples by everyone in the course. In doing so, examples of how one ‘researches’ will expand naturally and grow after their course for artists in and out of their studios. In doing this work together - our understanding of drawing as a tool to invent, edit, culminate, honor and dictate in our work will help other facets of the studio world, be it painting, drawing, sculpture, and or textiles as the artist’s primary focus.
All drawings are seen as important to discuss, share and push further in this course. Mechanisms to build composition, idea generating, automatism and theoretical positions on drawing will be discussed. Each artist will receive two opportunities to present their work to the Faculty, Catherine Haggarty, and the group. In addition, the artist's final critique will feature a Visiting Critic who will offer additional feedback and conversation.
Films, videos and short readings will be present as weekly asynchronous context for the conversations held in class and beyond. Artists will be paired up with one peer in the class based on their work and connection for a virtual studio visit outside of class time to connect more deeply and share work, process and ideas. Break out rooms and small group work will be a part of weekly meetings to engage in fun and also challenging prompts to draw together in real time.
Each artist will receive a round of artist statement edits by Faculty Catherine Haggarty.
One should take this course if they want to push their work, try new techniques, and learn how to champion drawing in their art studio and life. Prompts will all be specific and tailored to each artist and supplemental videos, context and explanation will be offered if need be to clarify any obstructions and assignments.
Please Note: This is an application-based course. Applications will be juried after the application deadline of February 11th. Artists accepted to the course will receive a payment link for the course cost and a Financial Aid breakdown if needed.
Artists Will:
- Participate in a class size of 10 artists max
- Share research and participate in conversations about drawing - formally, conceptually and materially
- Receive Artist Talks + Q&As with 4 invited Guest Speakers
- Have opportunity for critiques from Faculty + peers
- Receive feedback from one of the invited Visiting Critics for the final critique
- Share and gain new perspectives to reinvigorate each other’s approach and artistic practice
- Learn about new artists, suggested films, readings and exhibitions to see in relationship to dialogue about drawing
- Have an open forum to discuss all painting related + art world questions
Guests

Jessica Dickinson
Visiting Critic

Sarah Slappey
Visiting Critic

Angelina Gualdoni
Visiting Critic

Eleanor Swordy
Visiting Critic
Mentor Bio
Catherine Haggarty, b. 1984, is an artist based in Brooklyn, New York.
Haggarty earned her M.F.A from Mason Gross, Rutgers University in 2011. Haggarty is the Founder, Owner and Executive Director of The Canopy Program which is a one year mentorship program within the NYC Crit Club which Haggarty co-founded with artist Hilary Doyle in 2017. In addition, Haggarty is a Visiting Associate Professor at Pratt Institute.
Currently, Haggarty is the Spring 2024 Teiger Mentor for the Arts at Cornell AAP MFA and recently was a Visiting Artist at Rocky Mountain College of Art + Design (Denver, CO) on the occasion of her Exhibition featuring ten years of work at The Philip J. Steele Gallery.
Haggarty’s paintings and curatorial work have been reviewed by and featured in Bomb Magazine, Artnet, Hyperallergic, Art Forum, Two Coats of Paint, Brooklyn Magazine, The New York Times, Art Maaze Magazine, Art Spiel, Pep Talks for Artists, Sound and Vision Podcast and The Observer.
Catherine has been a visiting artist & critic at Cornell MFA (2024), Rocky Mountain College of Art (2024), Western Connecticut MFA (2023), Contemporary Arts Memphis (2023), Vassar College (2023), Rutgers MFA (2022), U. Albany MFA (2022), MICA (2022), UCONN MFA (2022 + 2023), RISD BFA (2022), Pratt BFA (2022), The University of Oregon (2021), Boston University MFA (2021), SUNY Purchase MFA (2020), Hunter MFA (2020), Denison University (2020), Brooklyn College MFA (2019) and in 2018 Haggarty was the Anderson Endowed Lecturer at Penn State University.
Solo & Two Person exhibitions include: Untitled Miami, Lorin Gallery, LA, Geary Contemporary (NYC), Massey Klein Gallery (NYC), This Friday Next Friday (Brooklyn), Bloomsburg University (PA), and Look and Listen in Marseille France. Select group exhibitions include: The PIT (LA), Badr El Jundi (Madrid, Spain), Mindy Solomon (Miami, FL), Andrew Rafcaz (Chicago, IL), Hesse Flatow (NYC), Mrs (Maspeth, NY) and McBride Contemporary in Montreal, Canada.
Haggarty earned her M.F.A from Mason Gross, Rutgers University in 2011. Haggarty is the Founder, Owner and Executive Director of The Canopy Program which is a one year mentorship program within the NYC Crit Club which Haggarty co-founded with artist Hilary Doyle in 2017. In addition, Haggarty is a Visiting Associate Professor at Pratt Institute.
Currently, Haggarty is the Spring 2024 Teiger Mentor for the Arts at Cornell AAP MFA and recently was a Visiting Artist at Rocky Mountain College of Art + Design (Denver, CO) on the occasion of her Exhibition featuring ten years of work at The Philip J. Steele Gallery.
Haggarty’s paintings and curatorial work have been reviewed by and featured in Bomb Magazine, Artnet, Hyperallergic, Art Forum, Two Coats of Paint, Brooklyn Magazine, The New York Times, Art Maaze Magazine, Art Spiel, Pep Talks for Artists, Sound and Vision Podcast and The Observer.
Catherine has been a visiting artist & critic at Cornell MFA (2024), Rocky Mountain College of Art (2024), Western Connecticut MFA (2023), Contemporary Arts Memphis (2023), Vassar College (2023), Rutgers MFA (2022), U. Albany MFA (2022), MICA (2022), UCONN MFA (2022 + 2023), RISD BFA (2022), Pratt BFA (2022), The University of Oregon (2021), Boston University MFA (2021), SUNY Purchase MFA (2020), Hunter MFA (2020), Denison University (2020), Brooklyn College MFA (2019) and in 2018 Haggarty was the Anderson Endowed Lecturer at Penn State University.
Solo & Two Person exhibitions include: Untitled Miami, Lorin Gallery, LA, Geary Contemporary (NYC), Massey Klein Gallery (NYC), This Friday Next Friday (Brooklyn), Bloomsburg University (PA), and Look and Listen in Marseille France. Select group exhibitions include: The PIT (LA), Badr El Jundi (Madrid, Spain), Mindy Solomon (Miami, FL), Andrew Rafcaz (Chicago, IL), Hesse Flatow (NYC), Mrs (Maspeth, NY) and McBride Contemporary in Montreal, Canada.
